After working in the writers rooms of shows like Community, Hello Ladies, and now Trophy Wife, comedy writer Howie Kremer now has his own series – on the Internet: Uh, Hey Dude. Betsy Sodaro (Animal Practice), Joe Wengert (Playing House) and Tracy Meyer (Hello Ladies) in this slice-of-life, female-centric comedy about three hilarious friends and a whole lot of relatable ‘nothing’. Ala Seinfeld, Uh, Hey Dude explores the small awkward moments that affect us all — like universal experience running into a mutual acquaintance with your friends, and NO ONE being able to remember their F*%#* name. And then they invite you to their birthday party.
Check out Kremer’s hilarious, insightful answers below as to how he created and executed the show and all the steps in between. You can watch more at www.Uhheydude.com
You’ve worked a lot in the TV world. What did you learn from the writers’ room or on set that you carried over into creating your own web series?
EVERYTHING. EVERYTHING and EVERYTHING!
Being in a writers’ room has helped my writing tremendously. Not only have I been lucky enough to be in writers’ rooms, I’ve been in the funniest, weirdest, craziest, smartest, and most lovely writers rooms ever. Each experience has helped me unlock something that has led me to be able to make UHD.
Doing my episode of TROPHY WIFE also helped SO MUCH for UHD. Being onset as a writer, and working with KEN MARINO who directed my episode, was such an incredible learning experience. It helped me with so many things: writing ON THE FLY — when a scene wasn’t working and me and Sarah Haskins had to rewrite a speech for Malin, or when a joke could be beat and you had a few minutes before it shot to write an ALT to camera set ups, lighting, sound, editing and more.
Companies like YouTube, Netflix, Hulu, and Amazon have changed how we watch television. We want to watch what we want whenever we want it and we care much less whether its on a big screen TV or on our phones. We will binge watch an entire season in 2 days or wait months for a new three minute video.
Web innovator Carey Martell wants his online TV platform, Martell TV, to make it easier to find a stream of content you will enjoy on the Internet. He claims his platform will synthesize the best things about cable TV and the best things about Youtube as well as revive local television and allow creators like you to “become your own media tycoon. Build your own version of ABC, HBO or MTV from YouTube videos.” Check out his indiegogo campaign video below. Where do you think media consumption is headed?
God bless America and our inalienable right to overly-specific food sensitivities. Whether your hilal/atkins vegan, lacto-ovo/high-fiber/raw, paleo/soy-sensitive or only subsist on cocaine. This sketch from my all-lady sketch team JustBoobs is for you.
Ever wonder what would happen if Spike Lee and Christopher Guest had a brainchild who wrote a character-driven procedural web series? Meet Diarra Kilpatrick, creator, writer and star of American Koko, a web series that follows Akosua Miller (Kilpatrick) and her fellow gumshoe “Race Detectives” at the E.A.R. (Everyone’s a Little Racist) agency.
On the surface a procedural about sleuthing out racism and racial ignorance in everyday political incorrectness, American Koko uses its equal-opportunity offensive sense of humor to highlight the many ways in which racism is pre-programmed into today’s American society — an objective that’s flipped delightfully on its head when Main Character Akosua falls for (gasp) a white guy. Using the microcosm of an 8th grade musical to earnestly yet satirically ask “what’s the appropriate level of blackness?” — and then actually waiting for an answer — is no easy feat. But, as Diarra so succinctly says, “you can talk about anything if it’s clever and it’s funny, and if you approach it with some irreverence.”
I had the pleasure of sitting down with Diarra and director Miles Orion Feld (both repped by CAA) to drink iced tea, discuss TV, race, making a web series, and the inspirations behind this exciting new serialized-procedural web series, whose humor manages to somehow be both irreverent, indeed — but also equal-opportunity offensive.
How would you define your use of the term “post-racial America” for dumb white folks?
D: When Obama was elected people were trying to peddle this idea that there was no race issue anymore, this was a cornerstone of how far we’d come. a) we haven’t’ gone that far, we still have a long way to go b) I’m not actually interested in a “post-racial America.”… people’s culture and ethnicity is exciting information about who they are… it’s all a way in which we celebrate life. Everyone’s culture shapes how they specifically celebrate life… I’m interested in how people do that in their own particular way. I don’t want to live in a world that’s just beige.
Are you considering attending the LA WEB FEST? Watch my 5 minute behind the scenes episode of Hollyweb – the French series on digital hollywood that I host – and get a taste of what it’s like. It’s HUGE and there are lost of interesting panels and speakers as well as creators from around the WORLD.
BUT – as the creator of the series says himself, it’s like the “Public School” of web series. Almost everyone gets in and there is a HUGE range of quality. The screening rooms are not the nicest and you get a feeling its more quantity over quality.
That being said, it’s a great way to get the word out about your series, garner awards and meet other creators and even festival runners from around the world.
I hope this short vid helps you make the decision that’s right for your series.
Hey all you creative kids out there! Just wanted to share my sketch team’s first vid: TEXT DECODER! Developed by my team JUSTBOOBS SKETCH, written by me, based on real life necessity!
Ever asked a friend for advice/analysis about a text conversation? Why not call TEXT DECODER!
#JUSTBOOBS Sketch — Funny from the Female Perspective
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