HOME/OFFICE trailer from Good Worker on Vimeo.
Technology has made it possible for over a million people to become independent workers in the last year alone. Many of you web series creators may be among them! We know you’ve got that entrepreneurial spirit. But too much freedom can sometimes bring it’s own ups and downs. In between bouts of productivity, independent workers and filmmakers James Darling and Josh Shayne decided to make a web series about it: HOME/OFFICE. The first season of the series explores common challenges such as winning a client, avoiding distraction, trying to stay in-shape, dating online, and meeting intense deadlines.
As web series creators, we’re always interested when an indie series finds funding before it launches. Isn’t that the dream? HOME/OFFICE was able to do so, partnering with very specific brands DreamHost and Backblaze. Here’s creator James Darling explaining the smart way they went about funding the series:
“We self-financed these initial 8 episodes and shot them over 7 straight days at Josh’s apartment in Brooklyn. Once the episodes were finished, we reached out to brands that shared our audience–freelancers, designers, and entrepreneurs–and offered them ad spots after each episode and promotion on the show’s website.
Basically we’ve managed to put the show “in the black” before airing a single episode — which, as you know, is quite unusual for an independent web series. We’re hoping to replicate and expand upon this model with our 2nd season and future shows–ideally lining up the budget with brand partners/sponsors BEFORE production.”
Good Worker co-founders Darling and Shayne are both graduates from NYU’s acclaimed Tisch School of the Arts film program. They are already accomplished filmmakers and screenwriters in the traditional sense: Darling’s screenplay In Motion won an Alfred P. Sloan Prize in 2005 and his feature film project The Pilot was awarded the Richard Vague Production Grant from the Kanbar Institute of Film & Television in 2015. Shayne’s 2013 screenplay You’re the Ones was a semi-finalist in the Academy of Motion Picture Arts and Sciences’ Nicholl Fellowship in Screenwriting and his short film Le Voyeur aired on IFC in 2007. In 2009, they were hired by Stetson Hats to travel cross-country and film their quest to deliver an inaugural hat to the President.
Learn more about Good Worker and watch the full series Home/Office at Home/Office.tv
David Catalano’s web series The Smalls Family, features a sit-com-esque suburban clan with one twist: their dialog is a word-for-word transcription of songs by platinum record-selling hip-hop artist, Notorious B.I.G.
“Some people wanna stick me like fly paper, neighbor!” fumes teen Katie Smalls to her parents over a pizza dinner in their upper-middle class home. A jealous friend just texted her at “5:46 in the evening” and now she’s steamin’, “Why they wanna stick me for my cream?” Check out Steph’s full review of The Smalls Family for the L.A. Weekly HERE and continue reading for her full interview with creator David Catalano.
As the disclaimer to my LA Weekly Article this week states, I’ve known Azie Mira Dungey for a while. We studied acting at NYU together and reconnected when my fiance was living in DC a year or so ago. That’s when Azie told us about the museum theater work she’d been doing for the last few years at the Smithsonian, in addition to performing in the DC theater scene, and her most recent gig portraying Caroline Branham, George Washington’s housemaid, at Mount Vernon. Azie was full of stories about the unbelievable questions visiting tourists asked her, ranging from ignorant to blatantly racist. She had us doubled over in laughter with her recitations but also cringing and often horrified. We actually visited her at Mount Vernon and sat in on a Q&A.
Joe Towne & Daryl Johnson
This week in my column for the LA Weekly, I featured the indie web series, Friends In Therapy, which I discovered at the Hollyweb Fest. When I first saw the series, I thought the acting, writing and comedic timing was just brilliant. When I learned the show was completely improvised, I was even more impressed. All eight episodes are under two minutes each so you can watch the whole first season in about fifteen minutes, and I highly recommend it. As you probably guessed, it’s about two friends… in therapy. You can check out my LA Weekly feature on why I like the show so much HERE or in the paper today. In addition, below is my full interview with creator/stars Daryl Johnson and Joe Towne. Enjoy!
What made you personally want to do a season 2?
I will be totally honest. After season 1 I was totally burned out. If I never heard the word hipster again, it would be too soon. All I wanted to do was move onto my next project, which I envisioned would be – an artsy, dramatic feature film that would only be appreciated by art lovers; the opposite of Hipsterhood. But then all these little twitter and youtube comments kept popping up for me, and it was Hipsterhood fans who really wanted to know what happens to Cereal Guy and Faux Fur Girl. Like, they REALLY wanted to know, and they were upset the story was over. It wasn’t an overwhelming amount of comments, but I started to feel a responsiblity to my fans.
And so, I got over myself, and I wrote season 2. Believe me when I say season 2 is not about money, or fame, or even career-building. Season 2 is happening because the fans made me realize that the story of Hipsterhood is not over.
British web series The Vessel, captures the hilarity, awkwardness, confusion and joy of what happens when you ask your best friend to be your surrogate.
Rory and Mike are a gay couple ready to have a family, and they ask their best friend Kim to help them out. This may sound like a familiar TV show set up (I’m happy to say – go 2012), but with the expertly dry British wit of the show, the fact that all the characters speak directly to the camera, (Kim, the surrogate is the camera), and the choice to move through all nine months in ten short episodes, The Vessel tackles this modern fairy tale in a very different way than The New Normal, and perhaps one you’ll prefer
I spoke with producer/writer Chloe Seddon and producer/writer/co-star Phillip Whiteman about writing and producing the show as well as what the web series world is like across the pond.
L to R: Tony Lombardo, Jon Smith, Dave Brennan and Eric Toth
When you call a tow truck, things are usually at a low point. If we’re going full
cliche, it’s usually pouring rain, your heel just broke and you’re crazy-late for an
important meeting. But Bill & Sons Towing is a call you’ll happily make. In fact, you’ll stay on the line for the full 10 episodes of this hilarious – and sometimes surprisingly poignant – web series about a floundering tow truck company run by four bickering brothers. I interviewed co-creator Mark DeAngelis about the project, and here’s what he had to say…